In part one, I described how tapeless cameras offer a wide choice of codecs, with some also having the ability to output raw and/or uncompressed files. The next step in the workflow is to choose an ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. Sony’s recent release of multi-codec cameras (the F5 and F55) is a reminder that there is no such ...

Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs But while it’s true that more people than ...

Improves end-to-end video editing workflows with ProRes integration for Windows and native support for ProRes RAW in Media Composer as well as native support for DNx codecs BURLINGTON, Mass., Sept. 13 ...

As quality lost at the beginning of a production chain can never be recovered, end users should always opt for the best possible codec, says Ron Veel from Grassvalley. When we talk about cameras in ...